A riverside promenade at golden hour, quiet and nearly empty, the low sun throwing warm backlight across the water. Standing close together near the railing are the couple from the two reference photos, and both identities must be carried over exactly, faces, skin tones, hairstyles, proportions and every natural feature preserved so each person is unmistakably themselves. The man stands just behind the woman with one arm wrapped easily around her waist while she leans back into his chest, their fingers laced together in front of her. She’s turned toward him, and he’s dipped his head so their foreheads almost meet, both looking into each other’s eyes with soft, real smiles that leave no doubt they’re in love. Soft natural fill lifts their faces against the sunset, with gentle reflections on the river, the glow of distant promenade lamps and a believable blur across the background. The framing is a three-quarter angle with the compression and shallow depth of an 85mm portrait lens, true skin texture, accurate hands, fine strands of hair catching the light, a touch of film grain, and clothing that folds and drapes the way real fabric does. It should pass as a candid photograph of two people who happen to be deeply comfortable with each other, intimate and unposed, with no plastic skin, no warped hands, no text, logos or watermarks.